The Kansas artist John Steuart Curry captured a post-war moment in his native Winchester when the body of his high school friend, William Lewis Davis, was returned for burial. Steven Trout captures this in an article published in Autumn 2008 issue of Kansas History.
Multiple influences and sources of inspiration helped shape John Steuart Curry’s The Return of Private Davis from the Argonne (1928–1940), the depiction of a Kansas soldier’s stateside reburial following World War I. First, there is the sad and ironic story of William L. Davis, Curry’s Winchester, Kansas, high-school friend, who was wounded on his very first night of frontline duty, the victim of hand-to-hand combat in an otherwise quiet sector of the Western Front. In addition, a tragedy in Curry’s family (the sudden death of his younger brother Paul), the artist’s exposure to World War I literature and public commemoration, and his support for isolationism all played a role in the painting’s evolution over a twelve-year period. Ultimately, explains Professor Steven Trout, department of English, Fort Hays State University, The Return of Private Davis from the Argonne reflects the sense of ambiguity that permeated American memory of World War I during the 1920s and 1930s. In addition, the painting warns against American involvement in a new European war waiting on the horizon.
Here is description of the article from www.kshs.org : Steven Trout, “The Western Front Comes to Kansas: John Steuart Curry’s The Return of Private Davis from the Argonne.”